Let’s Talk About Hanson’s Anthem
“Personality is a creative medium of its own. People depend on you to exhibit some consistency of taste, some sensibility, as they rely that you won’t adopt diametrically opposed political views from one day to the next or keep switching in conversation into various foreign accents. So we ought to have musical loves and personal […]
The Sound of Antiviral: An Interview with E.C. Woodley
In case you are unaware, David Cronenberg‘s son is a filmmaker and has a new film out this year called Antiviral. Along with it is a fantastic new score by E.C. Woodley, who has worked with Brandon Cronenberg before and has a particular connection that many may not know. Moving between rich atmospherics and pounding […]
If Jon Brion met Explosions in the Sky in a bar, they might become Stuck in Love: 1 Film, 2 Records
This is the narrative I want to propose. But I may be short sighted. I haven’t seen the movie. I know nothing of what I speak—as far as Bright Eyes’ aesthetics and member’s contributions and such. I wouldn’t consider myself a fan of Bright Eyes. Can’t say I even really know the work enough to […]
Working in the BBC Soundscape: An Interview with Sarah Class
Recently I got ahold of music for the BBC documentary series Africa and was immediately struck by its quality and talent. Composer Sarah Class, a veteran of BBC as well as many other ventures into disparate territories, manages a landscape of orchestration that is beautiful, compelling, and far beyond what I’ve grown to expect from […]
ANOBIUM 