This is the narrative I want to propose. But I may be short sighted. I haven’t seen the movie. I know nothing of what I speak—as far as Bright Eyes’ aesthetics and member’s contributions and such. I wouldn’t consider myself a fan of Bright Eyes. Can’t say I even really know the work enough to […]
With the recent passing of James Gandolfini, it’s fitting to devote this week’s selections to his catalog. While the obvious top tiers are The Sopranos and True Romance, I’d like to highlight some moments maybe missed or not so easily remembered. To credit MCAD & University of Minnesota professor Kjel Johnson, “It’s not often that […]
[Continued from Part 2] GT: Your work, if it’s anything, is complicated and it’s something I love about your work. I get bored very easily with much of what’s created by most people. JH: Yeah, me too. GT: You hear it and you know what it’s doing before it’s even started. JH: I know. I’m […]
I’ve been a follower of Damon Albarn for years. Tracked his work with Blur, which, as many agree, is pretty tremendous; he was a major force behind the sound of the film Ravenous, which is consistently at the head of my favorite film scores, and has really devoted his life to all around stretching boundaries […]
[Continued from Part 1] JH: Well, what did you want to talk about with Mexican Blue? GT: I’ve been trying to figure out this album of yours for years. JH: Whoa, what have you been trying to figure out? GT: I’ve been trying to figure out why it has just wrapped around me. It feels […]
