[Continued from Part 2] GT: Your work, if it’s anything, is complicated and it’s something I love about your work. I get bored very easily with much of what’s created by most people. JH: Yeah, me too. GT: You hear it and you know what it’s doing before it’s even started. JH: I know. I’m […]
I have no problem admitting that I love Kanye West. I love the Kanye that put out “All Falls Down.” I even love mousy-white-pop-star-humiliating, Shutter-Shades-wearing, Steve-Jobs-incarnate Kanye. But this Kanye—the one who just this week released Yeezus—I hate this Kanye West. The title alone should clue you in to how easy and pedestrian the effort […]
I’ve been a follower of Damon Albarn for years. Tracked his work with Blur, which, as many agree, is pretty tremendous; he was a major force behind the sound of the film Ravenous, which is consistently at the head of my favorite film scores, and has really devoted his life to all around stretching boundaries […]
[Continued from Part 1] JH: Well, what did you want to talk about with Mexican Blue? GT: I’ve been trying to figure out this album of yours for years. JH: Whoa, what have you been trying to figure out? GT: I’ve been trying to figure out why it has just wrapped around me. It feels […]
The Vivian Maier exhibit at the Chicago History Museum, titled Vivian Maier’s Chicago, is contained in one gallery space, which feels small and restrained considering her stunning and extensive talent, her simple yet mysterious life, and the fact that her work was virtually unknown until it was discovered after her death. Though Vivian went viral in […]
