In case you are unaware, David Cronenberg‘s son is a filmmaker and has a new film out this year called Antiviral. Along with it is a fantastic new score by E.C. Woodley, who has worked with Brandon Cronenberg before and has a particular connection that many may not know. Moving between rich atmospherics and pounding […]
Jolie Holland has a new record called Wine Dark Sea. Due for release some time next year, it’s sort of a return, but in the same it’s a continued expansion of an ever-widening grip on the varied elements of music that make up her universe. I spoke with her a week before going into the […]
Recently I got ahold of music for the BBC documentary series Africa and was immediately struck by its quality and talent. Composer Sarah Class, a veteran of BBC as well as many other ventures into disparate territories, manages a landscape of orchestration that is beautiful, compelling, and far beyond what I’ve grown to expect from […]
[Continued from Part 1] GT: Now, according to IMDb, there are some classical pieces that you performed for To the Wonder as well, am I correct? HT: Yeah. GT: Was that brought out from the process of The Tree of Life or was it completely separate? HT: There was a Bach piece and a piece […]
[Part 1] ANOBIUM: What strikes me most from what you’ve said about the Grateful Dead in class is the word “community.” When I first learned about the band, one of the strongest points made was the bootlegging culture—the fact that there are recordings of nearly all of their shows. Do you think the Grateful Dead […]
ANOBIUM 